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Ipponbouchou Mantarou

Anime: Ipponbouchou Mantarou 4f633i

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Main Title	Ipponbouchou Mantarou (a7463)
Official Title	ja 一本包丁満太郎
Type	OVA, 2 episodes
Year	21.06.1991 until 21.12.1991
Season	Summer 1991
Tags	[similar]
Resources	Official website Wiki (jp) (1)(2) (1)(2) ANN MAL
Rating	6.31 (44)
Average	5.81 (44)
Review Rating	N/A (0)
Added by	hidden on 2010-03-30 21:06
Edited by	hidden on 2019-09-24 16:32

Main Title	Ipponbouchou Mantarou (a7463)
Official Title	ja 一本包丁満太郎
Synonym	Ippon Houchou Mantarou

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Info	You can add this anime to your mylist with the form above using generic files. Expand per group/episode if you wish to add specific files. Manual adding is not recommended. The best way to add files to your mylist is by using an AniDB Client.

main staff c5r3

Original Work:	Big Joe
Direction:	Takeuchi Yoshio
Character Design:	Oomori Hidetoshi
Music:	Kyou Kensuke
Work:	Animate Film

Statistics 70q6n

Score/Rank by 3bu5h

Rating

6.31 (44)

#74)

Popularity

#104)

Running Time 1m6s1o

approx. 1h 35m

Completed fb65

58 (35.6%)

Watching 2a3jl

1 (0.6%)

Plan to Watch 54586h

98 (60.1%)

Dropped 505r4t

6 (3.7%)

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Anime Tags
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Tags ? 137316

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dynamicSome of the central structural elements in anime are Plot Continuity, Stereotype Characters and Plot Twists.

· castno description set

· · predominantly adult castThis show features mostly adults. That means children and teenagers are relatively rare and unlikely to hold significance to the plot. That is a rare trait in anime, as most shows spin around children or teenagers. weightless

· · stereotypesThis show presents stereotypes, which are generalizations about a group of people. Examples would be saying that people from a certain country or with a certain hair color are stupid. If the show deals with comedy, the stereotypes are likely to be played on for laughs; if the show is a parody, the stereotypes will be exaggerated to have their flaws exposed and may be used as a form of social commentary. *

· · strong male leadThe lead male protagonist in this anime shows backbone, is competent, and does not shy away from seemingly insurmountable objectives. weightless

· endingThis is a container tag to house meta-like tags relating to how endings of anime play out.

· · open-endedThe ending of this anime is left to the viewer`s imagination. There are no clear hints at a definite story outcome, several possibilities are presented without closure, or the story ends suddenly without explanation. There may also be room for a sequel. weightless

elementsNext to Themes setting the backdrop for the protagonists in anime, there are the more detailed plot Elements that centre on character interactions: "What do characters do to each other or what is done to them?". Is it violent Action, an awe-inspiring Adventure in a foreign place, the gripping life of a Detective, a slapstick Comedy, an Ecchi Harem anime, a SciFi epic, or some Fantasy travelling adventure?

· actionAction anime usually involve a fairly straightforward story of good guys versus bad guys, where most disputes are resolved by using physical force. It often contains a lot of shooting, explosions and fighting. *+

· comedyAnime whose central struggle causes hilarious results. These stories are built upon funny characters, situations and events. A comedy anime is laced with humour and sets out to provoke laughter from the audience. Japanese humour can be a bit strange to westerners, so if you`re new to this type of humour, just bear with it; it`ll most likely grow on you if you`re a fan of other kinds of comedy. **

· · slapstickSlapstick humour is generally recognized by lots of physical abuse, horseplay and practical jokes. Also often seen are impossible situations, using sounds to illustrate impossible stunts that aren`t shown on-screen and to create tension for audience anticipation. **

· competitionSome sort of confrontation occurs in this show. The protagonists "duke it out" via various competitions. weightless

· educationalThe entire series (at least a major part of it) is centred on a particular subject. Information is fed to the audience in a sublime manner. Most of the time an on-screen written comment by the narrator (or translator) can be seen, e.g. biological specimen, medicine, process, etc. Sometimes at the end of every episode’s closing song, a 20 seconds educational clip is presented. weightless

· tropesA trope is a commonly recurring literary and rhetorical devices, motifs or clichés in creative works.

· · mundane made awesomeBy adding exaggerated expressions and gestures, excessive intonation, lighting, slow motion, griping orchestral music, or ominous Latin chanting, everyday mundane events can be made awesome! weightless

maintenance tagsThese tags are used for maintenance.

· DESCRIPTION MISSINGThe description for this entry is missing. e.g plot, biography... Please help by adding it, and remove this tag afterwards. Thank you. weightless

originno description set

· Japanese productionno description set weightless

original workWhat the anime is based on! This is given as the original work credit in the OP. Mostly of academic interest, but a useful bit of info, hinting at the possible depth of story.

· mangaManga is the lifeblood that drives the anime industry. Everything and its mother is based on manga. However! There are exceptions where the manga was not the basis for the anime. See also manhua and manhwa. weightless

settingThe setting describes in what time and place an anime takes place. To a certain extent it describes what you can expect from the world in the anime.

· placeThe places the anime can take place in. Includes more specific places such as a country on Earth, as well as more general places such as a dystopia or a mirror world.

· · EarthThe Earth is the third planet from the Sun. It is a ball of hot mud, but on the surface it`s cold enough, so most of us live on it (or are supposed to). To its inhabitants, our planet is their home, so, as a species, we cherish it to the point many cultures even to this day deify it. The Earth is the main setting of most fiction, but many titles are set in other places, such as unrelated fantasy worlds, and in a considerable number of fictional titles the Earth is actually destroyed by invaders. ***

· · · AsiaAsia is Earth`s largest and most populous continent. Asia covers an area of 44,579,000 square kilometers. The continent, which has long been home to the majority of the human population, was the site of many of the first civilizations. Asia is notable for not only its overall large size and population, but also dense and large settlements as well as vast barely populated regions within the continent of 4.4 billion people. ***

· · · · JapanJapan is a sovereign island nation in East Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asian mainland and stretches from the Sea of Okhotsk in the north to the East China Sea and China in the southwest. ***

· · · · · OsakaOsaka Prefecture is a prefecture located in the Kansai region on Honshu, the main island of Japan. The capital is the city of Osaka. It is the center of Osaka-Kobe-Kyoto area. *+

· · · · · TokyoTokyo, officially Tokyo Metropolis, is the capital city of Japan and one of its 47 prefectures. The Greater Tokyo Area is the most populous metropolitan area in the world. It is the seat of the Emperor of Japan and the Japanese government. Tokyo is in the Kantou region on the southeastern side of the main island Honshu and includes the Izu Islands and Ogasawara Islands. *+

· timeThis placeholder lists different epochs in human history and more vague but important timelines such as the future, the present and the past.

· · presentSomewhere between past and future. *+

target audienceAnime, like everything else in the modern world, is targeted towards specific audiences, both implicitly by the creators and overtly by the marketing.

· seinenSeinen, literally "young man", is one of the main demographic classifications applied to manga, and, by extension, to anime, especially manga-based ones. As the name implies, seinen works are marketed primarily to an audience of young men; the age range commonly understood to be the target of such works goes roughly from 17 to somewhere in the 40s. weightless

technical aspectsIt may sometimes be useful to know about technical aspects of a show, such as information about its broadcasting or censorship. Such information can be found here.

· slide show animationThe entire anime or parts of it show sequences of still images. Sometimes used in low budget animations for action scenes. weightless

themesThemes describe the very central elements important to the anime stories. They set the backdrop against which the protagonists must face their challenges. Be it School Life, present Daily Life, Military action, Cyberpunk, Law and Order detective work, Sports, or the Underworld. These are only but a few of the more typical backgrounds for anime plots. Add to that a Conspiracy setting with a possible tragic outcome, the Themes span most of the imaginable subject matter relevant to anime.

· cookingCooking is the process of preparing food by using heat. ***

· daily lifeThe antics of the protagonists do not take place in some exotic setting or time, but in everyday life. Daily Life is basically a synonym for everything normal, repetitive, and trivial happening to your average person.

· · working lifeThe life of someone actually working on a often less than glamorous job is depicted in this anime. The job is taxing and the pay is low, not really the dream job one would choose to work in. Examples: Working as salesperson in a department store, or as a waitress in a family restaurant. **

· family lifeno description set

· · intact familyThe main character`s family is a so-called "nuclear family". Wherein both parents are alive and present in his or her life. This is actually relatively rare for anime, where "parental abandonment" is the norm. weightless

· following one`s dreamNo matter what the hardships may be, at least one of the protagonists in this anime is following her/his dream. Examples: To become a professional athlete, a musician, a painter or the ruler of this world! weightless

· · aim for the topThis can be a positive or negative plot device. A character may strive to become the best in an altruistic way (e.g. best healer, most widely learned master), or it can be quite banal and primitive (e.g. challenged delinquents wanting to be the strongest fighters). Alas in fighting anime the latter usually prevails. weightless

· · hard work and gutsOne of the character`s motto in the anime. Because there is nothing that cannot be achieved by hard work and guts. weightless

· rivalryQuite broadly used term describing a conflict, contest, struggle, or opposition of some sort. Typical examples: The mostly comedic rivalry for the love of a protagonist in a harem anime (love polygon), the more "mindless" battles between wannabe delinquents in a school fighting anime, or the struggle between good & evil in an epic conflict for world domination. **

· trainingTraining is extensive, serious practising a person undergoes in order to develop skills and abilities, such as handling weapons, playing instruments, playing sports, and so on. **

episode specific

flashbackA flashback is a moment where events from the past are recounted. Flashbacks are used primarily to give insight into a character`s mind or to reveal information previously kept from the audience. They normally consist of mostly new content; they are different from and should not be confused with recaps, where old content is shown again for no particular purpose. Generally, to qualify as a flashback, the scene must advance the narrative. The opposite is a flashforward. See also in medias res. 1 eps applies to episode(s): 2

nagashi soumenLetting soumen noodles slide down a water slide. 1 eps applies to episode(s): 2

obonObon or just Bon is a Japanese Buddhist custom to honor the spirits of one`s ancestors. 1 eps applies to episode(s): 2

town festivalThe town or city in this anime celebrates some special event with a festival. 1 eps applies to episode(s): 2

train episodeno description set 2 eps applies to episode(s): 1-2

Cast
Staff
Songs
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Cast 3r3p37

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appears 4u2w

アナウンサー

voiced by: Umezu Hideyuki

ボンゴ料理長

voiced by: Ginga Banjou

会長

voiced by: Nagai Ichirou

司会者

voiced by: Ootaki Shin`ya

味味

voiced by: Orikasa Ai

店のおやじ

voiced by: Suzuki Katsumi

支配人

voiced by: Sawaki Ikuya

満太郎

voiced by: Matsumoto Yasunori

満太郎の母

voiced by: Yokoo Mari

銀平

voiced by: Imanishi Masao

staff 5hd5g

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Credit	Name	in Episodes	Comment
Original Work (原作)	Big Joe		集英社刊ビジネスジャンプ連載
Direction (監督)	Takeuchi Yoshio
Character Design (キャラクターデザイン)	Oomori Hidetoshi
Cuisine Design (料理デザイン)	Kawamura Yoshie
Music (音楽)	Kyou Kensuke
Music Producer (音楽プロデューサー)	Suga Masato
Music Work (音楽制作)	Pony Canyon
Sound Direction (音響監督)	Matsuura Noriyoshi
Sound Work (音響制作)	Gen
Sound Effects (効果)	Jinbo Daisuke
Editing (編集)	Henmi Toshio
	Jay Film
	Wada Yoshiyuki
Art Direction (美術監督)	Sagawa Senri	1
Art Direction (美術監督)	Washizaki Hiroshi	2
Art Design (美術デザイン)	Sagawa Senri	2
Colour Design (色彩設定)	Yoshikawa Takao
Photographic Direction (撮影監督)	Azuhata Takashi
Producer (プロデューサー)	Sawanobori Masaki
Assistant Producer (アシスタントプロデューサー)	Shibata Mitsuteru
Production Generalisation (制作プロデューサー)	Shimazaki Katsumi	1
Production Generalisation (制作プロデューサー)	Watanabe Tadashi	2
Planning (企画)	Katou Nagateru
	Kume Kenji
	Nakano Kazuo
Planning Assistance (企画協力)	Business Jump		Shueisha (集英社)
Work Assistance (制作協力)	J.C.Staff
Work (制作)	Animate Film
Production (製作)	Maruyama Hisatoshi
	Takahashi Yutaka
	Watanabe Hiroshi
Production & Publication (製作著作)	Movic
	Pony Canyon
	Shueisha

Script/Screenplay (脚本)	Hiyoshi Kei	1-2
Storyboard (絵コンテ)	Endou Tetsuya	1
Storyboard (絵コンテ)	Ueda Hidehito	2
Episode Direction (演出)	Mano Akira	1
Episode Direction (演出)	Ozawa Kazuhiro	2
Animation Direction (作画監督)	Satou Keiichi	1-2
Key Animation (原画)	Ayame Takahiko	1
	Gotou Keiji	1
	Hayashi Yasuhiro	1
	Nishizawa Susumu	1
	Oguro Akira	1
	Tokoro Tomokazu	1	as 所智一
	Kado Tomoaki	1-2
	Kajigaya Mitsuharu	1-2
	Kajiura Shin`ichirou	1-2
	Nakayama Yumi	1-2
	Tano Mitsuo	1-2
	Fujikawa Futoshi	2
	Haga Hitoshi	2
	Kamogawa Yutaka	2
	Kikuchi Toshihiro	2
	Muranaka Hiromi	2
	Ooki Ryouichi	2
	Satou Keiichi	2
	Wada Takashi	2
	Watanabe Kazuko	2
In-Between Animation Check (動画チェック)	Watanabe Kazuko	1
	Ogino Nobuko	1-2
	Ooba Shin	1-2
	Saitou Kazuya	1-2
	Okamoto Hiroki	2
	佐藤章	2
In-Between Animation (動画)	Okamoto Hiroki	1
	佐藤章	1
	Isoda Tomomi	1-2
	Itou Misuzu	1-2
	Kawano Takako	1-2
	Konno Junko	1-2
	Maeda Kotomi	1-2
	Manabe Naoki	1-2	as 真鍋尚巳 in ep 1
	Matsumura Kazuko	1-2
	Miyoshi Seiji	1-2
	Murakami Tooru	1-2
	Nakamori Ryouji	1-2
	Sakamoto Tarou	1-2
	Sakurai Keisuke	1-2
	Sasaki Tsuyoshi	1-2
	Yokoyama Kyouko	1-2
	Chimoto Keigo	2
	Miyamae Shin`ichi	2
	Shiba Minako	2
	Shibukawa Etsuko	2
Colour Specification (色指定)	Nakamura Fumiko	1-2
Finishing/Clean-up Inspection (検査)	Nakamura Fumiko	1-2
Finishing/Clean-up (仕上)	Higashihara Mari	1-2
	Kuroda Teruyo	1-2
	Maruyama Mieko	1-2
	Takai Shinji	1-2
	Tanabe Sayuri	1-2
	Wada Hidemi	1-2
	Yokoo Junko	2
	津田篤子	2
In-Between/Finishing Assistance (動画仕上協力)	Hangzhou Donghua	1-2
In-Between/Finishing Assistance (動画仕上協力)	J.C.S. International	1-2
Background Art (背景)	Furumiya Youko	1
	Jam Creation	1
	Sagawa Senri	1
	Choi Studio	1-2
	Choi Yong-Dae	1-2
	Sawai Yuuji	2
	Washizaki Hiroshi	2
Special Effects (特殊効果)	Abe Gou	1-2
Photography (撮影)	Kuki Shirou	1-2
	Nakajou Toyomitsu	1-2
	Sasano Shin`ichi	1-2
	Studio Boston	1-2
	Takahashi Akihiko	1-2
	Kurosawa Yutaka	2
	Tamaki Miyoko	2
	Uchida Seiji	2
Photography Assistance (撮影協力)	E&G Films	1
	Kozawa Tsuguo	1
	Yamazaki Mayumi	1
	Azuhata Production	1-2
Title (タイトル)	Maki Pro	1-2
Film Processing (現像)	Tokyo Genzousho	1-2
Recording (録音)	Obara Yoshio	1
Recording Studio (録音スタジオ)	Seion Studio	1
Promotion Coordinator (販促コーディネイター)	Hazama Keisuke	1-2
Publicity Producer (宣伝プロデューサー)	Ooyagi Hideki	1-2
Production Desk (制作デスク)	Nishizawa Masatomo	1
Production Desk (制作デスク)	Watanabe Tadashi	1
Assistant Production Manager (制作進行)	小野道昭	1
Assistant Production Manager (制作進行)	Yagi Mitsuo	2
Production Manager (制作担当)	Nishizawa Masatomo	2
Coverage Assistance (取材協力)	Mitaka Uomasa	1

songs 4j6v16

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Relation	Song	Rating	Credit	Staff
ending	Rolling Stone	N/A (0)	Vocals/Performed by (歌手)	Yamamoto Jouji
			Lyrics (作詞)	Akimoto Yasushi
			Music Composition (作曲)	Gotou Tsugutoshi
			Music Arrangement (編曲)	Gotou Tsugutoshi

Group status x6s5e

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Last Update	Name	State	N	Episodes	HE	SP	Languages	Source	Rating	Cmts
12.12.2020	Orphan	complete			2	0	ja en	VHS	N/A (1)	0
	no group	complete finished ongoing stalled dropped specials only all

Episodes 6y1s4u

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EP	Title	Duration	Air Date	Action
1	Volume 1	45m	21.06.1991
2	The Osaka Vermicelli War	50m	21.12.1991

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